Not That Miami

Miami, Arizona

We arrived in sunny Miami, and our first stop was the now-defunct Gomez Tortilla Factory. What happened, guys? It turns out that they closed last February because the business was no longer profitable. After 62 years of operating this little place, the family locked the doors and walked away. It feels like it was just yesterday when, upon our arrival in Winkelman further south from here, the owner of Giorsetti’s Market gave us the bad news that Maria’s Tortilla Factory down in Mammoth turned over the shop to a restaurant/bakery. Sadly, for us, it was Maria’s or nothing as they were just the best. Someday, all the mom-and-pop shops will be gone, and we’ll be left with the most mediocre crap ever.

Miami, Arizona

I predict that within ten years, weed will be legal in at least 20 states. Okay, time for some truth; I’m writing this post in the future to post in the past because these images languished in hard drive hell for a decade before I resurrected them from that purgatory, and so, as I write this in 2023, marijuana is, in fact, legal in 22 states.

Miami, Arizona

If you are starting to wonder which version of an alternative universe kind of Miami we’ve landed in, your quick-witted observation of being confused would be appropriate as we are, in fact, in Miami, Arizona. Since I’m writing this in the future, I can share what I’ve learned from my first encounter with Google’s Bard AI service. You see, I first asked ChatGPT about the Gomez Tortilla Factory, but its intelligence proved deficient, so with some reluctance, I turned to my current nemesis, Google, and asked their AI the same question, and it delivered. Next, I asked Bard about when Miami started falling into decline, and I was informed that it began in the late 1970s but really accelerated in the early 1980s. By then, the copper industry had already crumbled because mining operations had moved offshore.

Miami, Arizona

I’m intrigued by this old building because it appears that someone is still living there. The doorbell for this place at 422/424 W. Gibson Street appears to be in working order, and the trashcans likely belong to this house. It turns out this place was built in 1915 and is huge inside, with over 6,700 square feet (625 sq. meters). As of 2023, it’s valued at just under $28,000, though it’s not on the market.

Miami, Arizona

You might wonder what we’re looking for here in Miami. We are looking for nothing beyond simply having gotten away from Phoenix for a time. Does this imply that holes in walls are more interesting than the city we live in? That’s a certainty.

Miami, Arizona

A perfect balance of decay.

Miami, Arizona

Somehow, this ruin at 518 W. Gibson Street is showing up on real estate sites as a two-bedroom, 1-bath, 2,518 sq. ft, 2-story house valued at $39,000. Excuse me?

Miami, Arizona

Today’s photos were all shot by my daughter Jessica Aldridge, which is evidenced by the fact that I’m being reflected in the glass on the right with my hands in my pockets, and in another couple of photos (not posted here), you can see me in the shot, which never happens unless I’m shooting a selfie.

Pioneers Of The Universe

We are explorers of the digital plains, miners extracting bits in order to build new towers of light that only exist on the frontier of our electricity-amplified world. Numerically derived substances become emissive with properties that have been designed in the mind and transferred between one another like so much binary noise, making the transition from wet organic matter to traveling hair-thin strands of glass before riding a copper route to a box of transmogrified sand that allows me, the operator, to be a creator.

I harness the brains of countless people who have sacrificed banality in the effort to capture maths in such ways that they have become code, tools, and software that do stuff. My gratitude extends from Euclid and his theater of geometry to Galileo, who once said, “The universe cannot be read until we have learned the language and become familiar with the characters in which it is written. It is written in mathematical language, and the letters are triangles, circles, and other geometrical figures, without which means it is humanly impossible to comprehend a single word. Without these, one is wandering about in a dark labyrinth.”

Today, digital artists are using those triangles, circles, and geometrical figures to construct dynamic environments that have pulled the masses into witnessing the illumination of the “dark labyrinth.” Video games, computer graphics, electronic music, and 3D animated films are but a ploy to pull humanity forward where the border of the known universe unfolds. Our ancestors first observed the work of fire before entrusting those “crazy” enough to play with it. Once made safe, everyone could utilize the dangerous but useful energy contained within. Today it is at our fingertips, and we think nothing of bringing it into our homes with a twist of a knob so it may cook our food.

Similarly, we have a pipe that now delivers the fire of the mind directly to our homes, and most of us have grown accustomed to its ubiquitous presence, not only via wire but in the very air around us. Like fire, the presence of information is not only used for the warming of leftovers, it can be used in the forging of the new from the unknown. It was fire that allowed us to make ceramics, glass, steel, electricity, propulsion systems, and much of what makes the world around us convenient. Now that electronic bits have made us comfortable in our surroundings, how will the exotic uses of that potentiality alter us going forward?

We must begin to comprehend the “next” word. That word is creation. It is what we humans do; we create. One does not need to be a God to enter this domain, just as one does not need to be the Shaman of the Fire in order to warm the home. The magic is no longer external; it is within. Within our minds and transmutable through our hands, we can bend, fold, and manipulate the flow of the visual universe. We are set to become the architects of this electronic domain in ways larger than our consumptive selves allow us to yet realize. The Age of Creativity stands before us, but the gulf of ability still looms as a chasm of uncertainty.

It is time to smash that divide to recognize it is our self-imposed and media-manifested doubts and fears that have erected the barriers between the consumptive self and the creative self. These past three decades of personal computing and the thousands of years of prior advancements have all been leading us to this point where humanity’s rarest tools and skills in the forms of knowledge and education are being offered to nearly all people. They arrive within the time it takes to understand that they are free or, at a relatively low cost, available to all. Software is the tool that lends each of us the brain trust of thousands, if not millions, of minds whose collective ability is brought to our front and center with a mouse click or a simple gesture.

Learning to read and create the universe with a visual and audible language that allows us to communicate across barriers is what our new digital tools are laying out before us. Complexity and creative fun can and will be synonymous. It is up to us to share our sense of amazement that is brought on when we employ these evolving digital tools of creativity.

Paths

We have many a path to consider when the road forks and we need to take on a new direction. So it is as we head into Virtual Reality, and the tools we will use are not set in stone. None of us know for certain what the face of VR is going to look like, although we can conjecture that it will look a lot like today, only different. Okay, I anticipate that it will be really different. Like the potential to be out of this world crazy different. The only problem is that for something to be seen that way, there must be a “normal” to compare it to. But before we get to blow the minds of the uninitiated, we have to build the foundation of “normal.”

Today, we can choose to develop “worlds” from a wide variety of tools ranging from Unreal Engine, CryEngine, Unity, and dozens of other environments to the private engines employed within companies that are used by them exclusively. Along the way, we will learn about textures and materials and how Substance Designer, Photoshop, Gimp, nDo and dDo, Lightroom, and our digital cameras will be needed to paint these places we assemble. Before we ever get to those images, we will also have to decide on which 3D modeling software we are going to take up, such as Blender, Modo, 3DS Max, Maya, Softimage, Houdini, C4D, or a couple of others. Just learning to think in x,y, and z coordinates is a monumental task by itself.

Gaming engines, image manipulation, 3D modeling, and we haven’t even touched on motion capture, puppeteering, animation, sound design, audio editing, or writing and designing a place others might want to visit.

So why not make it simple and just choose a single skill set and focus on being an expert in one area? Because those days are coming to an end.

Forty years ago as the personal computer revolution was getting underway, a small class of the curious sequestered themselves in a corner of their home and started to learn how a computer might be helpful to themselves and maybe to others. The process was slow and laborious; we either learned to code or manually entered instructions as they had been printed out in the back of a magazine. Fifteen years later someone could make good money entering data or typing documents. That industry has since shifted, and no one in Western society is rewarded for being an expert in a word processor or a spreadsheet alone. Ten years after that, in 1998, if you had mad Photoshop skills, you could make bank creating graphics for an up-and-coming internet property. Today, designers often struggle to find work where Photoshop by itself will give them viable employment. Ask any coder/programmer when the last year being knowledgeable in a single language was enough to land them a six-figure income.

The evolutionary writing is on the proverbial cave wall for many; writ large, it says, “Thou shall not gain credibility or a decent job in the next economy without being a master of the suite.”

This “Suite” is an assembly of tools, probably of your choosing, that says, “I have skills that are flexible, and I can demonstrate an ability to adapt.”

And why do I believe this? Because after much of humanity automates itself into a lack of purpose, we will have to ask ourselves, “What else is there?” The only conceivable answer is we must entertain ourselves. If Virtual Reality is the environment we are going to explore as the interface to that entertainment, well, that space is infinitely large. To fill the space of infinity, we will embark on creating “stuff” to play with, to explore, and to give us purpose again.

In effect, we will all become farmers again, except the crops are digital assets that feed the mind. A new agrarian age in which we cultivate the electronic landscape, bringing us full circle to a previous time when the majority of us tilled the land. Except now, we will work the soil of creativity by employing Ableton or Bitwig to sequence our beats and sounds. You’ll pop open Blender to knock out some 3D furniture or 3D-Coat to sculpt up some creatures. Connect the motion capture data from your Xbox Kinect to a digital skeleton and bring that dancing blob of pixels to life in your retro-future-psychedelic-historic-dystopian-sci-fi city on the internet. Maybe a multi-story gallery dedicated to your family will be erected in your new cyberspace environment that will display a living family tree of photos and videos that forever tell the story of the Smith family. Well, you are going to have to be the one to break out Premiere, After Effects, Reaper, Photoshop, and Unity to put it all together – just as your parents shot video on bulky cameras and your grandparents pasted black and white photos into albums.

It’s time to “Get it!” Complexity and adaptability are the order of the day. We no longer tinker in isolation on computers barely faster than a modern watch. We no longer become experts in typing documents. Photoshopping is now a hobby, not a career (by itself, anyway). If there are 1000 people out there mastering a dozen really difficult pieces of software, tomorrow, it will be all of us.

Starting Over….Again and Again

With gusto, we jump into knowing exactly what we want until those newly acquired skills become refined enough to show us how this is exactly what we don’t want. No problem, clean off the canvas and start modeling new stuff.

Learn how to make amazing materials for those new models; wow, they have so much depth and realism. Oh, there’s something else out there that can make them even better? Okay, we’ll just scrap what we’ve done so far and try this new way. Good thing we’re not a year into this.

Uh oh, there might be a problem with the game engine we’ve chosen to work with. Time to start considering the alternatives. Sure, but all roads bring me right back to where we started. Well, then, we can be secure in knowing our decision was a sound one, at least for the next week or two.

This is the dialogue that goes on nearly every day. Certainty when exploring the unknown is amorphous, requiring a kind of flexibility that reminds me of something I was told while on a white water trip through the Grand Canyon, “Indecision is the key to flexibility.”

Today’s decision is the seed for tomorrow’s exciting new way of doing things; that makes way more sense anyway.

Denver to Rocky Mountains

Denver Botanical Garden, Colorado

Before heading out of Denver this morning, I have another request from Caroline to satisfy, and that’s for us to visit the Denver Botanical Garden. You can rest assured that these orchids are not near our motel because our typical lodging arrangement is more likely to smell of cigarette smoke, stale beer, and a hint of urine and located where, at best, weeds might be growing. Where exactly we stayed is lost, lost, lost, as are many details about this trip to Denver because, once again, this is another of those posts that arise from a forgotten past when, for reasons beyond the timeline of active memory, there was nothing ever written or noted about this visit and so in 2023 I’m here at work trying to assemble something that might reflect relatively accurately about the events of the day.

Denver Botanical Garden, Colorado

Searching for something to say about the garden, there was a moment when I thought I wanted to claim it felt like cheating to photograph gardens and flowers as everything is already organized, but just as quickly as I entertained that idea, I realized that photographing anything is in essence configured in a similar way as whatever the subject matter aside from people and animals, the scene is presented as the scene is. Still, there’s something that has me feeling like I’m adding filler with no valuable caloric content, just sugary convenience.

Denver Botanical Garden, Colorado

I spent nearly 90 minutes writing the previous two paragraphs, which could be more time than we even spent in the garden; such is the nature of scouring a mind, looking for any hint of impressions that might have been made a decade earlier. One could be wondering what the importance is of backfilling this stuff, and my answer is that without the photos up here, they are lost in the depths of my hard drive where we rarely, if ever, look back at the photos occupying those magnetic particles. Take this post where I’m sharing 17 of what I felt were the best photos on the day we were visiting Colorado. I shot 229 photos, and the majority of them should be tossed. The tedium of going through so many photos to reacquaint ourselves with memories would be cumbersome, while here on the blog, we can do a quick scan of a day to pick up the high points, and if we are so inclined, we can read a little something or other that might offer us a chuckle.

Denver Botanical Garden, Colorado

Maybe I have a small disconnect with flower gardens in that I’m not sure where they come from. Take this dahlia; where do they grow wild? After a little search, I learned they originate in Mexico and Central America, while roses came from Central Asia. I’d wager that my relationship with flowers was negatively influenced by the fact that in my childhood, I only ever saw them in stores and that they now feel like some kind of cultivar only created for human appreciation, kind of like chihuahuas.

Squirrel at the Denver Botanical Garden, Colorado

While still at Wikipedia, I thought I’d look up something interesting about the squirrel, and well, there’s little that’s really interesting about this furry creature. But then, just as I was about to turn away, I gave a second thought to its name, which in Old English was Ācweorna, that gave way in the days of Middle English to Aquerne; both words are cognates of the German word Eichhorn. Look closely at the English variants, and you should be able to see the similarity. Obviously, we are not near squirrel yet, which would be influenced by the Anglo-Norman French word esquirel, which came from the Latin sciurus (which in turn is derived from Greek skíouros, which means shadow tail). For those of you who might not know much about the English language you speak, its origins are mostly found in French and German, with nearly nothing remaining of the original forms of English in the modern tongue we use.

Denver Botanical Garden, Colorado

Going out on a limb here by claiming this might be a magenta strawflower.

On the way to Rocky Mountain National Park in Colorado

It was now time to head up into the mountains, the Rocky Mountains National Park, to be precise. For one reason or another, we opted to travel the southern boundary and enter through the western gate. Maybe it was meant to facilitate a loop around and through the park, but without afternoon photos, I wasn’t able to decide with any certainty. What I am confident about is that we had beautiful weather for our visit.

On the way to Rocky Mountain National Park in Colorado

I wanted to believe that this is the Colorado River but after chasing the road using Street View, I can’t figure out anything about the location.

Caroline Wise and John Wise at the Rocky Mountain National Park in Colorado

Entering the Rocky Mountain National Park via Trailridge Road on the west side of the park just north of Grand Lake. I’m certain about this fact, as the rock layout of the foundation of this sign matches the Street View capture. Looking back at this 10-year-old image of me, I can better recognize the amount of gray hair that was appearing and realize that it didn’t happen as quickly as I sometimes fear. As for Caroline, and I’m sure she’ll disagree, she looks exactly the same, though she’ll point out that she now has about 30 gray hairs at the center front of her hairline; big deal because I now start looking like Santa Claus.

Rocky Mountain National Park in Colorado

Thanks to the good ‘ol internet for reminding me that we are at the Continental Divide in front of Poudre Lake. By the way, you may notice here that the weather is changing. Look closely and you might catch a whisp of a rainbow that’s over the small lake right near the short here.

Rocky Mountain National Park in Colorado

We are in front of the Alpine Visitors Center

Rocky Mountain National Park in Colorado

Hunting for sunshine and blue skies limits the direction I’m taking photos. With the change in conditions, you can bet we’ll have to plan on a return visit to capture the vistas under optimal conditions.

Rocky Mountain National Park in Colorado

While faint, there’s nothing wrong with double rainbows to brighten the heavy clouds marching in.

Rocky Mountain National Park in Colorado

We never expected that our visit would turn into a trip to the Rainbow Rockies.

Rocky Mountain National Park in Colorado

The elevation up here is no joke, with me getting dizzy every time we step out of the car. Hopefully, upon our return on a future visit, we’ll opt to stay in Estes Park in order to acclimatize to the heights of this national park.

Clarks Nutcracker bird at the Rocky Mountain National Park in Colorado

What a perfect example of the Clarks Nutcracker that posed for minutes, striking various stances for me to capture its elegance.

Caroline Wise at the Rocky Mountain National Park in Colorado

To the astute reader, you might recognize that this photo of Caroline earning her Junior Rangers badge was at the Kawuneeche Visitor Center, which is near where we entered the park, and that would be correct. It’s placed here at the end of the post, as I felt it was a good closing for this entry.

Following our visit to the Rocky Mountains, we likely drove back to Denver via Estes Park and then headed towards our hotel in Aurora. We dined at a Ted’s Montana Grill around the corner from the ALoft at the Airport. Afterward, we returned to our room because, at the break of dawn the next day, we were catching a flight back to Phoenix so that Caroline could go directly to work.

Denver, but not a lot of it…

Denver Art Museum in Denver, Colorado

Having spent maybe too much time with the other exhibits, we needed to return to the Denver Art Museum today for more of the Spun exhibit and two others, one of which carried an extra charge I wasn’t willing to pay, but Caroline was quite interested. With no photography allowed, I had little interest in visiting while Caroline busied herself exploring things.

Rothko piece at the Denver Art Museum in Denver, Colorado

Figure to Field was the title of the exhibit featuring work by Mark Rothko out of the 1940s. Clandestinely, I was able to snag a couple of photos of the Rothko works.

Rothko piece at the Denver Art Museum in Denver, Colorado

I’m surprised either of these images turned out as it’s never easy with a DSLR to be discreet and quickly snap the photo when security is out of eye and earshot.

Denver Art Museum in Denver, Colorado

I hung out in front of the museum while Caroline was inside visiting the Nick Cave: Sojourn exhibit, and that’s not the Australian Nick Cave from The Birthday Party or Nick Cave and the Bad Seeds fame but the other Nick Cave the American sculptor, dancer, performance artist, and professor. Again, no photography allowed, but Caroline managed to get a couple, so to tell you more, I’ll turn the next image and paragraph over to my wife.

I was surprised and delighted by the Nick Cave exhibit. I had never heard of “this” Nick Cave, and his work is phenomenal, especially the sound suits, which are incredibly detailed costumes often used in dance performances. Each one is unique, and many involve painstakingly arranged buttons and other decorative items. Unfortunately, the single good photo that I was able to sneak appears to be lost on my hard drive. By the way, I remember desperately digging through the Art Museum’s gift store for a sound suit memento or a postcard, and they had nothing other than an expensive book. 

Caroline Wise at the Denver Art Museum in Denver, Colorado

While Caroline was busy appreciating the art and I was outside grinding my teeth about these silly rules about photography, I spent my time writing until she emerged, and instead of hugging me, she went right for the steer. Oh well, I probably wasn’t all that sweet after stewing in my grump.

Sunset in Denver, Colorado

Dinner was at an incredibly wonderful place called Root Down that we’ll remember for years; it was a big wow.