Spun Out in Denver

Denver, Colorado

Boarded a jetplane shortly after sunrise out of Phoenix for an early arrival in Denver, Colorado. We have business of sorts to deal with here.

Denver, Colorado

We are not on hand for this street fest, though it’s an interesting prospect. The location we are looking for is not far from the Denver Civic Center, and the Taste of Colorado Festival just happens to be going on this weekend.

Caroline Wise at the Denver Art Museum in Denver, Colorado

Here we are at the Denver Art Museum, and can you guess why? Caroline had learned that an exhibition titled “Spun – Adventures in Textiles,” which had been running since May 19th, was coming to a close in a few weeks on September 22. If we were going to see the exhibit, it was now or never.

Denver Art Museum in Denver, Colorado

This a hint of things to come because we’ll not be visiting all of the Spun exhibits yet, plus, there is no photography allowed of the textiles.

Denver Art Museum in Denver, Colorado

Well, now, I’ve seen The Four Seasons Summer by Giuseppe Arcimboldo with my own eyes.

Indra Riding His Royal Elephant at the Denver Art Museum in Denver, Colorado

The sculpture is titled “Indra Riding His Royal Elephant” and arrives as a 1,000-year-old piece out of Thailand or Cambodia.

Gujarat Shrine Doorway at the Denver Art Museum in Denver, Colorado

A Gujarat, India, Shrine Door from 1600.

Section of Palace Facade from Pakistan at the Denver Art Museum in Denver, Colorado

In the world of art collection, one has to wonder about how a palace facade from Pakistan is collected and shipped off.

Denver Art Museum in Denver, Colorado

Seated Eight-Armed Durga from Madhya Pradesh Province, India, about 1,000 years old.

Cross-eyed Head Hacha from Veracruz at the Denver Art Museum in Denver, Colorado

Apparently, the Olmec people left an impression on those who would follow them in the Veracruz region of Mexico for making head sculptures. The person who made this Cross-eyed Head Hacha must have had a sense of humor. As far as I can tell, hacha is Spanish for ax, so is this a cutting tool?

Denver Art Museum in Denver, Colorado

I believe this is an Aztec sculpture by the original creators of cosplay.

Peruvian Tasseled Tunic at the Denver Art Museum in Denver, Colorado

From Peru, we ogled this Tasseled Tunic of the Chimu Culture that is estimated to have been created between 1300 and 1450 AD.

Ancient Meso American Spindles at the Denver Art Museum in Denver, Colorado

Unfortunately, we didn’t note the provenance of these beautiful spindles, but they are probably also from ancient Peru.

Ancient Meso American Spindles at the Denver Art Museum in Denver, Colorado

These spindles still held spun fibers. The intensity of the red threads was astounding.

Denver Art Museum in Denver, Colorado

Mayan terracotta vase possibly used during ritualized drinking of chocolate medicine

Mayan Incense Burner with Sun God Face Denver Art Museum in Denver, Colorado

I don’t know about my wife, but I could use one of these Incense Burners with Sun God Face at our place. It doesn’t have to come from the Guatemalan Highlands and be more than 1100 years old; I could make do with one that’s only 500 years old. If anyone has a lead on one in good shape for less than a couple hundred dollars, hit me up.

Caroline Wise at the Denver Art Museum in Denver, Colorado

For just a moment, I thought this giant sculpture from Roxanne Swentzell had Caroline thinking about becoming a mom, but I was wrong.

Inupiaq Suit of Armor at the Denver Art Museum in Denver, Colorado

This Inupiaq body armor is made of walrus and seal skin; I vote for this to become a new line of casual daily wear so I can retire my aging Chilkat wrap we picked up a couple of years ago. [Update: Caroline informs me that I’m full of you-know-what as we could have never afforded that wrap and that it’s too hot to wear walrus in the Arizona desert.]

Spruce Root Tlingit Hat at the Denver Art Museum in Denver, Colorado

You might never guess what this is that I’m showing you if I didn’t explain things; it is the close-up detail of a Tlingit hat made of spruce root.

Denver Art Museum in Denver, Colorado

The Inupiat, Chilkat, and Tlingit all share the commonality that they are indigenous people living in different areas of Alaska.

These exhibits are some of the treasures of being alive in this age where people can explore the art, history, and culture of people from different geographic regions and eras in a single air-conditioned facility and then turn around and research the most current available knowledge about the subjects on a device in their pockets.

What else was explored over the rest of the day into the evening is long lost as there were no notes taken during this trip, and the reality is that this post wasn’t assembled until mid-2023, nearly ten years after the experiences were gained.

How Do People Play In The Now?

3D_Coat

Is it time to leave old habits behind or to at least start adopting new ones? There are many people who will not think twice on any given day about grabbing a video to watch to close out the day. Me? I opt to explore what I can learn about 3D sculpting with the help of 3D Coat this evening. This is not easy entertainment; it is not grabbing a beer with the guys and talking shop or sports; it’s getting into the thick of hurting one’s brain. I’m learning a new language of voxels, live clay, retopo, PTex, UV unwrap, vox trees, and a type of noise called Voronoi. It feels archaic to me that we would fall into routines of computer gaming, watching television, and even reading. What of hardcore learning? There’s an educational version of 3D Coat that only costs $99 or about the cost of five DVDs. With it, I can make cubes with meaningless shapes or bulbous forms as I have today, see above. I can become frustrated that there are almost 150 tutorial videos on the creators of 3D Coat’s YouTube channel, and I don’t really have a clue where to start. Or I can laugh about it and delight that I’m alive in an age where some of the most complex creative digital tools are available to me and that, beyond the cost of acquisition, the materials are effectively free as long as I pay for a constant supply of electricity.

Entertainment in front of a device showing us moving pictures has become an old passive habit our ancestors “participated” in, just as many generations ago primitive peoples sat around the fire under the night sky: though I feel there is big merit in doing just that today. We are once again transitioning, just as we did away from candlelight and books to radio and electrical lights, to TV and microwave oven-cooked dinners; we are now able to warm up to the complexity that pushes our ability to work with our minds and imaginations because we own computers and are connected to the internet. Just as we’ve adopted the ideas of balanced diets, regular exercise, and career advancement, I think it’s about time to explore those things that help us create and explore skills we may have never known we had.

Finding New Stuff To Explore

The USGS National Map

First up on today’s work is to visit the National Map courtesy of the United States Geological Service. There are dozens of different ways to view the terrain of our country, I need an elevation map. I click on the area of interest to draw a bounding box and end up with a massive area far beyond my selection; I’ll figure out those details later. I place my order and within seconds I have an email notification where I can collect my map. Wow, 353MB for the file, and it’s only a small corner of the Grand Canyon. Decompressed I now have almost 500MB of various files including a massive GridFloat file, numerous shape and .xml files along with a dozen other files for good measure.

A TerreSculpt screen capture after importing height map data

I load the GridFloat into TerreSculpt’s utility for converting the file into a Height Map. Not being a cartographer or GIS (Geographic Information Systems) specialist I am lost with the options I have to deal with the data. But I’m not done with it, next up it has to be converted to a .bt file (binary terrain). From there it can be imported into TerreSculpt proper and then exported again, this time as a Raw 16bit Binary Heightmap. Now it’s ready to be imported into another program.

USGS elevation data converted with TerreSculpt and imported into Unreal Developers Kit - UDK3

That program is UDK also known as Unreal Developers Kit. This is essentially a gaming engine, though who says one has to play games? Building this stuff is anything but a game. The landscape you are looking at is deep within the Grand Canyon near the confluence of the Colorado and Little Colorado; of course, this would be the first place I would go due to the influence the place had on me and my desire to one day share it virtually. I have to wonder out loud, how long will it be until I can put a boat down on the river and row down those 225.9 miles of churning waters in virtual reality? Seems to me that day is getting closer and closer.

Caroline Wise wearing the Oculus Rift checking out the Grand Canyon in virtual reality

So close as a matter of fact that here is my wife, Caroline Wise wearing the Oculus Rift virtual reality headset checking out the Grand Canyon National Park – virtually!

Old Dog, Meet New Tricks

Blender

Yeah, it’s about time I post again, but like the title says, “Old Dog, Meet New Tricks.” I’m slowly learning how to model using Blender. It has been 19 years since I did anything with 3D Studio so the skills are so rusted over that they really don’t exist anymore. At freaking 50 years old I’m diving back into the deep end: the tools ain’t what they used to be. Things have gotten far more sophisticated, meaning difficult. What you are looking at started as a simple cube that I have applied an “inset” to, a subdivide surfaces action, dissolved vertices, converted selected vertices to a curve, turned ngons into quads using the knife tool, created a loop cut, extruded an edge loop, and scaled selected geometry. Getting familiar with the tools and the myriad shortcuts so I can move about and do what I want is no easy feat, but I will persist because I have big ideas that require big work and lots of skills; mad skills. Cue laughter of the evil scientist.

Reconnecting to America

The Arizona desert

This transition back to the place I live is anything but easy. If only it were as barren as one might perceive this desert-scape I might be able to have seen the beauty right away. Instead, I came back to Phoenix and it’s not just this city I live in, it is the entire country. We have become a land of Dollar stores, payday, and title loan stores, and shops that buy gold. We are discounted, two-for-one, 10 for a dollar, and triple coupons so we can appease our poor. And these poor are everywhere. They are changing the landscape of cities across America with the blight of services that appeal to people who will likely never escape the vortex in which their lives spiral. We have built the über-underclass and are empowering them to live it up in poverty. Meanwhile, our bridges fall down, our roads fall apart, our schools’ non-exceptional performance is excused due to lack of money, bad teachers, little parent involvement, dysfunctional administrators, or any other myriad of reasons. America is in a malaise and we are too close to the problem to see it clearly.

Take a trip to Europe for a contrast of just how dire things are here. I did and I’m having a hard time readjusting. Don’t get me wrong, I am able to play the part most of us assume, things are relatively good and if I don’t venture out of my comfort zone I can see how great it all is. Look out on this desert vista, there is nothing to complain about; it is perfect and serene. Peer out of your window from a gated community and all will be in place – including the poor whose world is looking more and more like one from a ghetto. “But the poor have always lived on the margin,” you say. Yes, though the poor weren’t so prolific as they are today. Look around you, the signs of the encroachment of widespread poverty are creeping into every corner. Just why are there Dollar stores sprouting up nearly everywhere? Do so many people really have such dire needs to pawn away grannie’s gold, or did they steal some other grannie’s gold?

But the financial health of the morass is not my problem unless it’s a symptom of decay that like cancer is heading for stage 4, inoperative impending death. Surely I make a mountain out of a molehill. Then why did Europe look so appealing? Are they spending money they don’t have on an illusion to demonstrate that all is well? If so, it’s working. I hardly went to the wealthiest European capitals, we ventured into Strasbourg, Dresden, Kaiserslautern, Magdeburg, Lübeck, and Görlitz. And each and every time we encountered a vibrant living downtown area without empty retail space. On the contrary, we found tourism alive and flourishing with gift shops, sidewalk cafes, and street musicians. No Dollar stores or panhandlers, okay, that was an exaggeration, there were panhandlers and a couple of discount stores, but not on the level we find in our city of Phoenix or Eureka, California, or Oklahoma City. In Frankfurt, I found one shop that buys gold, not a shop every eighth block.

So here I am, driving out and away from the bleakness I wallow in here in Phoenix, Arizona on the search for that which draws me into the bosom of America; its profound and overwhelming beauty.

London Bridge now in Arizona over the dammed Colorado River

A bridge to nowhere, not the metaphor I’m looking for. Here we are at London Bridge in Lake Havasu City, Arizona. “We” is Jessica Aldridge, my daughter, and me. Lake Havasu is a small desert outpost on the California-Arizona border, where drunken college students congregate on spring break and which a lot of elderly people call home due to the perfect weather. This place represents more of everything I find wrong with my current outlook. Some wealthy patron picks up the London Bridge from the city of London, England, and ships it to America where he resurrects it to cross over the nearly dead Colorado River to a small island that bakes under a relentless sun. At another time this bridge carried throngs of people to and fro on their way to making England a grand place of empire and influence. Today it is a bridge to nowhere, carrying people hungry for the idea of venturing into exotic locales, but whose budget allows them to winter over in the middle of the desert.

I’ve never much enjoyed this drive along the river, even before my encounter with the Colorado River in the Grand Canyon I have felt this strip of earth is a kind of no man’s land. The towns along this corridor eke out their existence upon travelers refilling their gas tanks and stomachs and once in a while, the strange desire of someone who wants to get away from it all by putting themselves in a place of such desolation that it begs at my curiosity how they got to that point in life. Roots here must surely be like the cactus that dot the landscape, shallow and spread out to grab all they can in the off chance a refreshing shower passes by. And then like the cactus, they will have been here and left, no one ever having noticed.

Driving into the Mojave Desert in California

Continuing on a theme we drive northwest as we enter the Mojave Desert. The theme being that we are heading into oblivion. Death Valley to be precise. It is here where the first reminders of what I love about America start to be rekindled. There is space aplenty in the American southwest. Nothing and nearly no one is out here. No services for 57 miles, to a European that is more than 90 kilometers, might as well be infinity. This road is the worse for wear. Back about 15 years ago when Caroline and I first drove it we weren’t sure if we were on asphalt or compacted dirt, if it weren’t for the lack of dust we’d know it was dirt. It must be a low priority to the California transportation authorities to care for this section of highway, no wonder, we are the only two people on it today.

I test driving at 100 mph on the left lane, it’s as bad as the right. At 110 mph under a 100-degree sun, the road still goes on forever into the invisible. A train track parallels part of the road. From time to time a forlorn abandoned bunch of train cars sit roadside awaiting the care of a graffiti artist to show them some love. While we are fresh out of spray paint, my daughter does have a good supply of energy and feels the need to crawl upon those trains to reenact her version of the Titanic.

Back on the road driving at a more pedestrian 70 mph, we glide over the Astro-earth, crispy thin asphalt that simulates driving right over the desert floor. The hum of tires is our soundtrack as is befitting the void of life we slice throughout here in the Mojave. Sure there is life out here, just ask any biologist, but when one careens westward over the surface of the earth, squinting to stop from blinding oneself in the afternoon sun, it is difficult to see much of anything besides the narrow strip of road nearly shut eyes can glean from their meager focus.

The sun about to set over the Mojave Desert and Death Valley in California

And then it happens, glare descends upon the day. No amount of squinty-eyed head twisting avoidance can ignore that the sun has set out to blind me. We are in the clutches of those moments when driving becomes a kind of Russian roulette in which hope carries me into thinking that maybe we are on the right side of the highway. What does it matter, it wasn’t long ago that I was intentionally driving on the opposite side? Well, that was for my entertainment when I was bored and because I could. After all, it’s one thing to be speeding on an American road at over 100 mph, it’s yet another to do so on the wrong side of the road. If I could have hovered simultaneously I would have done that too. But now I could be driving smack dab into another car that is driving under the stealth cover of road glare. Danger makes me more aware.

Things must be getting better, I can see some humor on the horizon. Not quite the golden dawn, but a golden sunset is often enough to wash away the grime of pessimism. How can I not revel in this display of warmth and depth? Right now nothing else exists between me and the sun but an endless landscape of possibility.

Reminders

Map of our trip through Europe

We’re back home. Not on this map, but on our map of the American southwest. We got here as we left, by airplane. Though on this leg we arrive with a ton of jet lag. The map I share with you details the route of our travels while in Germany and a few surrounding countries. The highlighted roads are what we covered in eight days of traveling within the EU. If only we’d had all 27 days to meander.

Yarn collected in Germany

Along the way we collected some souvenirs, things to remind us of where we’ve been. For Caroline, a large part of that memory stash is in the form of yarn. Out of this pile of wool will arise a sweater, some socks, a hat, and other fibrous things of beauty and comfort. For those with an eye for quality, yes the majority of the yarn comes from Wollmeise down in Pfaffenhofen, Germany. Please forgive me, but I neglected two skeins from being included in the photo as they were sitting on Caroline’s desk where she was likely fondling them.

Marzipan and various souvenirs from Germany

In Lübeck, we raided the Niederegger store; home of the best marzipan on Earth. In Rothenburg, we bought the obligatory cuckoo clock refrigerator magnet and in Frankfurt collected nearly a dozen Bembel key-chains for friends in Phoenix.

Sweets from Reformhaus in Frankfurt, Germany

There’s a health food store in Frankfurt I couldn’t appreciate two decades ago, now I’ll miss it more than my wife will know. The place is called Reformhaus and only sells items that conform to the idea of “lebensreform” a 19th-century movement focusing on healthy products. All of these sweets are incredibly yummy but not laden with so much sugar to bring on guilt from the indulgence.

Souvenirs from Prague and Görlitz, Germany

Caroline picked up this bowl on a side street in Görlitz, the cup in Prague, and the sheep in Bautzen. The sheep chime is not ours though, it is going to a friend, a particular friend who is also obsessed with all things sheepy and fibery.

Various books about some of the old cities we visited in Germany and Czechoslovakia.

And these are my gifts to myself. Actually, there are reference materials for a project I’m embarking on as soon as a piece of technology reaches me. The common thread between these books is that they focus on medieval towns, cities, and buildings that will play a large role in what I’m creating. Along the way, while buying these I complimented the collection with a few thousand photos that will lend themselves to my goal. These things are a small part of the reminders we’ve brought back to the States with us, most everything else lives on in our hearts and memories.