Cicadas and Crickets

Cicada

Just a short note to Caroline and me that during the late day on the last walk around the block, we stepped out and heard the first cicadas of the year. Half a block from there, we heard crickets for the first time in half a year. While the mercury rising over 100 degrees is a great signifier that summer has arrived in the desert, it is the sound of these insects that signals that the year’s hottest days are on their way. Soon, we’ll see billowing clouds on the horizon, meaning the monsoons are around the corner. There’s a particular kind of romantic notion as the blistering heat of the day and metallic orchestra of insects blend with the approaching winds and the distant roar of rolling thunder that is usually carrying the scent of wet earth and creosote our way. This is not the calm of winter, the golden palette of fall, or the vibrant greenery of spring, nor is it the calm recreational days of summer joining friends at the pool or BBQ. The monsoon is the violence of dust storms; it is the chance for deadly flash floods to sweep the inattentive away, electricity outages can arrive at the most inopportune times, and howling winds that fell trees and send palm fronds jettisoning across streets. Our summer deluges are aggressive reminders that we live in an inhospitable environment where those who are hardy enough will step out into the maelstrom to celebrate the return of the ferocity called monsoon.

The excitement returns with those clicking tymbals of the buzzing cicadas, putting smiles on our faces. Soon, the first raindrops of the summer storms will arrive, and we’ll be standing outside to meet them with our faces. With the temperature up near 110, the humidity will rise quickly to nearly 100%, and if we are lucky, the wind whipping through the falling water will dramatically cool the air until the rain passes and steam starts to rise off the searing hot streets. Those who claim to hate Arizona’s brutal summers have never learned what makes them so special. Then in just about 90 days, summer will be over once again, and those who survived it can count themselves among the fortunate that they were still alive for yet another opportunity to experience the extraordinary.

Protests Nationwide

Protests Nationwide

In the last 72 hours, the tensions of hundreds of years of social inequality and racial injustice finally boiled over, pulling people in from across the country to demonstrate. They are called thugs and rioters by our government and media, while people demonstrating in Libya, Hong Kong, Myanmar, Russia, Egypt, and Tunisia have been referred to as freedom fighters protesting oppressive regimes. Angry Americans reeling from a sudden rise in unemployment (41 million people were laid off or fired over the last eight weeks), along with the continuing blatant murders of black people by white officers, was the spark. Years of harassment, oppression, lack of opportunity, imprisonment, and radical marginalization have created this situation in Minneapolis, New York City, Louisville, Washington D.C., Los Angeles, Seattle, Detroit, Des Moines, Phoenix, Oakland, Portland, Atlanta, Philadelphia, and Dallas cars are burning, windows are being smashed, and the National Guard is starting to respond.

I’m watching between 10 and 12 live streams from across the country at any given moment, and things are continuing to devolve as afternoon gives way to evening. We have a president who is antagonizing his own citizens with tweets claiming, “The shooting will start when the looting starts,” and talking of unleashing the dogs on protestors, which is a direct reference to the dogs being unleashed on black Americans back during the civil rights movement. This is not a localized issue, but the news media, by and large, are showing their local areas only without mentioning that this appears to happen simultaneously in many other cities across the country. Maybe they fear that the greater the coverage the more people will join the mayhem so they can be part of a movement, but this also diminishes how the profound breadth of the current events.

Throughout history, pandemics leave great change in their wake and this one appears to be no different. Over the past years, I’ve often written about our shortcomings and how this will lead us to a moment where we’ll have to rethink how we do things. Instead of the selfish and fortunate few trying to change things for the better, it has been left to the mob, and when change happens at the hands of the mob, chaos is the most likely transition to some kind of new ordering of things. For those in control, they can probably be happy with this situation as there is no national leadership channeling the anger into something productive, they are just sitting back and hoping the crowd will run out of fuel. If this leads to martial law, the problems with self-isolation that were brewing will certainly start to boil over as a certain contingency of Americans will seethe in new hatred for those demonstrators who are threatening the very freedom that some believe is tenuous. Maybe we should ask ourselves if we are stoking the fires of civil unrest that start to push some into contemplating civil war.

Working In The Past

Caroline Wise at the Wartburg in Eisenach, Germany

I’m here, but I’ve been busy working in the past. Getting caught up with long-neglected projects is everyone’s dream for a staycation, right? Living in an apartment, there’s little to nothing we need or want to do, but our hobbies need constant care. So what exactly is it that I’m doing? I’m back in April 2013, dealing with five days out of nearly 30 that we spent in Europe. Somehow, those five days never made it into the blog. I was going through stuff and saw that I left notes that these were works in progress. Three of them are now done, starting with April 21st when we were in Eisenach and Weimar, Germany. The photo above is Caroline standing in the room where Martin Luther translated the bible into German back in 1521. From the Wartburg and Bach House, we headed up the road to Weimar, home to Goethe, Schiller, Nietzsche for the end of his life, and Gropius, who gave us the Bauhaus.

Dresden, Germany

Over to Dresden on April 22nd for a visit to the Frauenkirche, the Zwinger, and a couple of other stops for this brief moment in town. From this rebuilt city, we went on to Bautzen on our drive east. This wasn’t an intended stop, but we had left on a spontaneous getaway the day before with no other intention than to drive northeast. We stopped in Bautzen because the view from the road dragged us in for a brief stop there and then onward to Görlitz. This blog entry took me nearly 10 hours to write and finish prepping photos. I can tell you that writing from memories that are seven years old is no easy feat. Oh yeah, we spent a good part of the afternoon this day sitting next to a river in Poland with Germany on the other side while Caroline did some work for her company back in America.

Prague, Czechia

Then, on the next day, April 23rd, we were in Prague, Czech Republic, running through Europe’s 13th biggest city. I can tell you that at least three days are needed to do justice to this historical location. Also, at this point, I’m already starting to burn out on finishing these blog posts with over 100 photos between them, not counting that I still have another 100 photos for the last two days, plus the required text. I’d like a break. But that last break seven years ago is why these were never finished and so I’ll continue after this intermission of just saying blah blah. One more thing: when I started writing these posts, I wondered what I might have to say as there were no notes to work from, but it turned out that between Caroline and me, there were a ton of memories to draw from. So many memories, as a matter of fact, that the three finished posts feature 8,591 words about the 30 Years War, Martin Luther, Bach, the Habsburgs, Wes Anderson, Black Ass Beer, and Chimney Cake.

Rothenburg ob der Tauber, Germany

Now it’s time to turn my attention back to writing about Rothenburg ob der Tauber, and although I thought I’d post this earlier, I was making good enough time writing that I waited until I was finished so I could include the link to the complete post. Just click this link above or any of the others, and you’ll magically travel back in time with us to some memories of John and Caroline.

Strasbourg, France

I only have Strasbourg, France, left to write about, and everything I can ever say about this month-long trip to Europe will have been said. I’m guessing that most people who read this post will be clicking on it well after I finish the last day, which will be within 24 hours if I can drag more memories out of my weary brain.

#STREAMPUNKS

Colin Benders at the synth During Modular Lockdown

We are watching the Indie live music industry change with an emergent streaming movement that is happening by necessity because the club and concert hall have temporarily disappeared.  People’s need for grouping around artists is still a large part of the context of our culture, but the venues that support these activities are closed. There is no certainty as to when public gatherings might take place again, so in the wake of our global shutdown; there are those who are going live on the internet.

In some way, I see this as the Westernization of the Japanese idea of the otaku. This type of person was seen as being obsessed with particular aspects of popular culture to the detriment of their social skills. Right now, our social skills are on hold as we become accustomed to being at home. For the majority of the global population, being ripped out of the social fabric that was our day-to-day existence was obviously not something cultivated over the early years of our life, as might occur to the young Japanese person who gradually becomes an otaku.

In an instant, though, we were rendered homebound. While students took to Zoom for group conferencing with their teachers and fellow students and companies also started meeting more frequently on everything from Zoom to Skype, Teams, and WebEx, there was something afoot in the music world that is largely unknown to the masses right now.

Colin Benders Patching His Synth During Modular Lockdown

We are starting to see the emergence of the #STREAMPUNKS. The term, as far as I can find, was first used in a forum back in January 2008 before being co-opted by an executive for YouTube for his 2017 book titled Streampunks: YouTube and the Rebels Remaking Media. While Robert Kyncl and his co-author Maany Peyvan used the term to mean those in the content creation business on YouTube, today it is again being redefined as “Those who move en masse between content streams.”

Back on March 18, 2020, almost two years to the day after he paused his live streams, Colin Benders, a synthesist from Utrecht, Netherlands, started broadcasting again. There was obvious pent-up demand to see him play on his extraordinary electronic instrument. I say instrument as Colin is approaching mastery over his Eurorack synthesizer, which is a beast of complexity.

During the first week, we watched Colin sitting on his floor in a small room in his home with a few sections of his modular rig he brought from his studio. Even his small sample of modules represented a large system for most other people. Specifically, he was working on 1,264hp. Squatting in front of it and patching it on the fly, he was making some banging techno for a few hours and mixing things up as he went along.

Discord from Colin Benders During Modular Lockdown

On the second day of his return to streaming, with a commitment to do this “every day” that he’s in lockdown (hence the stream name “Modular Lockdown”), he started up a Discord channel. While I was one of the first half-dozen people to sign up it wasn’t but a week or two before a couple of thousand people joined the channel. The buzz around Colin was becoming a swarm.

Part of this might have had something to do with the fact that Colin was promising never to charge any of us for the music he was streaming, but, more importantly, that it was his intention to give it all away to others to work on remixes and derivative works. Things were getting complicated fast as Colin wasn’t set up quite correctly yet, and the infrastructure was about to buckle.

By Day 8, Colin was standing at a wobbly primitive desk, and so began the community effort of donating money through YouTube Super Chat for Colin to buy a proper Ikea desk. He had by this time also collected a couple of other things including a mixing desk that would let him properly record 16 tracks of audio, thus producing what is known as STEMS. A STEM is typically the stereo master track and the individual grouped components such as the bassline, lead, drums, and harmony.

These STEMS were going to be put on Dropbox for collaborators to download, but within about 48 hours, his bandwidth allocation was maxed, and a new solution had to be found. His users on Discord organized the infrastructure by seeding Torrents around the world so the gigabytes of data could start being shared again.

Streampunks in Chat on Colin Benders Modular Lockdown

The foundation of a large group of people working independently through a faceless interface in the background of an artist, with everyone volunteering their efforts, was taking root and moving at a breakneck speed. Some of us who’d been on the stream from day one and even some of us who were watching him back during his “Modular Mayhem” days of 2016 to 2018 were recognizing one another. One of those users, named Datalek, dropped the word STREAMPUNKS on YouTube in live chat to describe the gang that was jumping from Colin’s stream to other artists’ streams. From that moment forward, the group of people who started on Colin’s stream would start dropping #STREAMPUNKS into the live chat of the person we were switching to.

Fast forward to Day 20, and Colin brings in his prized MacBeths along with more gear. The “MacBeths” I refer to are some of the best-sounding oscillators there are but which are also considered “Unobtainium.” There were now 2,344hp of modules stuffed into this small side room with a 16-channel mixing desk on the floor to Colin’s right. The mini-side room studio was growing, and so was the audience. Discord ballooned to over 2,500 people, and others such as Hainbach, DivKidBen, and Chris Meyer at Learning Modular were appearing more often in live streams. Streampunks were starting to be recognized by others in the community.

So how and why is this becoming a thing worth dedicating this blog entry to? Live music experienced in person, for the time being, is a thing of the past. To have an artist who is interacting with his/her global audience on a very personal level on a daily basis is something new. While certainly not the first musician to interactively stream to fans, as DeadMau5 was already on Twitch back in 2014 building his community, there is a big difference in approaches.

Patch Notes from Colin Benders during Modular Lockdown

Colin is engaging with his audience on multiple levels redefining how the relationship between artist and community functions. He’s actively sharing his skills and explaining his techniques to such a level that I’ve been able to document in a Google Doc on Discord under the #ACADEMY heading a number of patches and the thoughts behind his methods. Not only is this freely posted for others to learn from but the document is meant as part of a collaboration space. While many are followers, there is an active number of enthusiasts who are also musicians trying to learn more about the difficult task of patching voltages and signals across disparate modules that can be mind-numbingly problematic.

As for the vibrant audience that has formed, we are recognizing each other and forming friendships via chats that are occurring simultaneously as Colin is performing. It’s in some way reminiscent of Andy Warhol’s Factory days when artists such as David Bowie, Mick Jagger, Salvador Dali, and Lou Reed would be part of a New York City “Scene.” Today, the scene is being played out in live moments that stretch around the globe. While few might know the likes of Datalek, Alphastare, PifPaf пиф паф, Omri Cohen, or Knobs&Strings, there is a vibe that suggests we are in one of those epochs that could be a turning point within one small corner of culture that is going to have larger implications for society at large.

Colin Benders on Day 20 as the Synth Grows During Modular Lockdown

Back on Day 20, while deconstructing Colin’s performances and being captivated by the music that rose out of nothing, I wrote: I can’t help but feel I’ve been watching a modern-day Richard Wagner compose in real-time the electronic version of Ride of the Valkyries where aural paintbrushes are harnessed with patch cables to splash love onto the canvas of emotion.

TIME FIRE

Dr. Justin D. Aslinger scientist and author

This afternoon, I had the opportunity to meet and speak with an extraordinary young scientist who may be the emerging new voice for Protophysics. As I attempt to share a condensed version of how our discussion progressed and some of the topics we covered, there may be gaps where the depths of our talk swung beyond my comprehension. The scientist I’m referring to is Dr. Justin D. Aslinger.

It was a random moment at our local Starbucks where I bumped into Dr. Aslinger and noticed he was reading “Protophysics of Time: Constructive Foundation of History of Time Measurement” by Peter Janich. As I have an intense interest in the subject of time, I struck up a conversation. The doctor tried explaining the dilemma of protophysics, which attempts to ascribe an absolute background geometry to space-time without knowing the correct formula of geometry for measuring or describing space-time accurately, part of the reason why protophysics never gained traction with the scientific community.

He went on to describe his efforts in the field of explaining space-time to help guide humanity through the hurdles we face as we approach the year 2012. Two-thousand twelve is the window we will walk through to become aware of our inherent perdurantistic qualities, which means our currently disconnected temporal parts will awaken to the fourth-dimensional reality and thus will acknowledge our existence in a new measure of knowledge of time as a physical dimension similar to the microscopic world we have come to know through the sciences only in the last couple of hundred years. Currently, we are stuck in what the Mayans could have regarded as the Endurantistic age, only believing in the third dimension and disregarding any potential reality that might exist outside of our immediate observation. Although many people would say they believe in god and that god may have an impact upon their lives, they do not connect science, the physical world, and the spiritual realm into a continuum of reality and existence we could be consciously aligned with, but this is precisely where 2012 is taking us.

Dr. Aslinger is also trying to create a paradigm-shifting software tool to help society with this transition called Time Fire. T.I.M.E. F.I.R.E. is an acronym for Temporal Immersive Multidimensional Enlightenment For Intraspecific Rebirth Emergence – a mouthful for sure. What this means is that we, as the human population, must escape the boundaries of time and space limitations of our current set of senses to become cognizant of the multidimensional world in which we will peer across time through space and thus be reborn within our species as a newly enlightened sentient human with access to the fourth-dimensional world we actually exist in.

One of the first steps on this path will be the introduction to his new theory of time. In Dr. Aslinger’s conception, time is a particle that is dividing like cells in a human body. This division is an exponential process where one particle gives rise to 4 new particles, then the five collectively produce 20, becoming 25, followed by 125, 625, 3,125, 15,625, 78,125, 390,625, 1,953,125, 9,765,625, and so on until after 23 iterations we are now over three quadrillion particles of time and so on, again and again, moving forward with time – a hyper exponential model should be apparent to anyone at this point through this kind of mitosis theory of time. According to this model, time is divided in every instant, although the Dr. admits he does not know what that instant is or how yet it could be measured.

He also tried to explain space-time in relationship to infinity, saying that over the course of the life of the universe (approximately 14 billion years) that, time is all matter, including the more mysterious and as of yet unexplained dark matter. Dark Matter (which comprises 95% of the universe) is responsible for the gravitational effect on visible matter because, in reality, time is a physical phenomenon similar to an atom, and as we learn more of Aslinger’s theory of time, we will come to understand that time is the very building block of all matter, both visible and unseen in the universe. Anyway, what happens is that as time particles have been dividing over the previous 14 billion years, they have stretched the universe to what we understand as infinity. If we could build a spacecraft that could take us to the edge of the universe at the precipice of infinity, in that instant, we would recognize the edge of space-time, but the by then immensely exponential division that would occur in the next instant would again push the border of space-time to yet another immeasurable expansion of the universe.

So what are we doing here in time? Time is the substrate used by the brain much like a train traveling down a rail, allowing the brain to act as a temporal imaginative mapping edifice translating dimensional morphogenetic transitions (changing or interpreting an ever-changing moving forward reality). Time is the universe the brain rides upon, the brain is an interpreter of time, all things are time, made of time, in time, and everything, and all things are manifestations of time as all things exist within time, made of the very fabric of time. We are surfing or swimming within the particle soup of time. As time moves forward, we, too, are being thrust forward with every instant that comes into existence from times march forward.

Interestingly, I start to surmise that if time is moving forward and it is a physical presence, then due to the ever-increasing abundance of time from its exponential division, isn’t it also possible that with all of the previous time particles that are now abundant throughout the universe that we should be able to travel upon that rail of time, forward and backward? After all, isn’t the Hubble telescope photographing light that has traveled across time, showing us that for us at this moment, the past is right before our eyes? Sorry about my naivety regarding relativity and probably a basic law or two of physics, but I am but a layperson trying to tread water in Dr. Aslinger’s world.

In a previous paragraph, I referenced people’s belief in God and the spiritual realm. This area was also of particular interest to me, and I asked Dr. Aslinger to expound his thoughts in this regard, to which he obliged. He believes we have a multi-dimensional soul, a soul that extends beyond the physical boundaries of our bodies, and that this idea of the soul is, as of yet, an undiscovered energy, fractal energy. This new energy is a mechanism of communication and existence for entities beyond our perception who live in that substance of time in a spectrum of light and energy invisible to us humans due to our blindness to the fourth dimension. Our souls are actually energy fields that radiate beyond ourselves (some see this as auras) and, through the grid of time, influence and accept influence from other waves of fractal (soul) energy. Our karma plays a pivotal role in how the shape, form, and frequency of our energy are manifested. This manifestation is best described within chaos theory and strange attractors, where chaotic motion gives rise to these strange attractors that vary in detail and complexity. So, as our soul and karma are forming during our lifetimes, our actions help shape the soul, detailing how complex and intricate our energy or soul should appear as it matures. Conversely, this shape also acts as a strange repelled, keeping those of bad karma or soul away from our personal space. This doesn’t always hold true, though, as chaos and fractal energies are pulsing, flowing, influencing, and changing with the expansion of time.

Other souls without organic beings are ethereal bodies whose shape arises from taking a dimensional form built upon and encased within time (as we are) organized by a coalescing of fractal energies (just as our bodies utilize plant and animal matter in the generation of energy that drives our nervous systems and generates heat within our organic shell). From this plane of existence, which some scientists see as the multiverse or parallel universes, higher energy (older) souls travel the surface of multidimensional reality and, on occasion, collide with our plane of thought. The multiverse and its individual iterations are possibly other planes or frequencies of higher-order time. Higher-order time may be an ascent that the soul climbs over time on its way to true enlightenment or nirvana, culminating in Godhead. This might explain divine inspiration, communing with the dead, artistic and scientific inspiration that appears to arise out of the blue as this spiritual energy collides with our world and our souls.

How does one influence the shape of their soul to make the transition to 2012? We must work to improve our soul health. Love, nature, and experiential growth come together to show us beauty, which inspires confidence for the growth of maturity. We must embrace these cornerstones and recognize how we impact the natural order of things via this shared quantumspace (the simultaneous space occupied by the energy of all things occurring in the same moment of time). When we improve our soul shape and good karma directs us towards love and beauty, we are also improving life in the universe, the universe that we will move into as we give up our organic form. In 2012 we may begin to see into this world, into this quantumspace and then we will begin to understand how our negativity, war, feuding, and fear retards our souls’ growth and its impact upon the ethereal bodies who are trying to elevate our collective knowledge so that upon our new birth into what some will call heaven we will enter a universe of life that is being painted by the very experiences we share through our fortuitous moments as an organic being collecting images being created by imagination and our constant transfiguration of reality, art, and nature.

Through fear and an inability to embrace new experiences, we drain the energy of soul growth needed to transcend our current physical/organic being. Living in repetition, watching television reruns, listening to the same 1000 songs we’ve listened to since childhood, when the world has a collection of over 3 million songs, going to the same place for vacation year after year, watching one more iteration of men throwing a ball down a field instead of playing the game themselves, limiting our diet to the foods we already know, and not waiting to learn about, foster, nurture, and embrace love – our soul stagnates. We must love ourselves, life, and others. We must love animals and plants, water and sky, mountains and deserts, our imagination, and our human potential. We must throw off the voices that instill fear, consumption for the sake of finding identity, and your fear of the unknown. We ultimately enter a great unknown where time is infinite, and your new experiences may be infinite too, but it will be our soul growth and maturity of spirit that will dictate how that human energy bestowed upon us will transition to the fractal energy universe of time that is building a home in space for those of us whose souls are equipped and ready for the shock of seeing reality for what it may really be.

Day in Portland

Up early and on the road south to Portland to meet up with Kirk and Rachel. I’m not really here. It is as though I am still in slow-wave sleep, one of the deepest stages of sleep. Or maybe I am in sleep inertia, the state just after being woken from a deep sleep when mental performance is yet impaired. In any case, I feel as though I’m drifting out of Washington and into Portland without plan, reason, or cause, and from the looks of the multitude of homeless people in downtown Portland, they, too, are hereby mysterious circumstances.

How about lunch? Sure, you guys name it; I don’t know this part of town. Hell, I don’t know any part of this town, nor do I know why I agreed to come here. I want to be at the ocean. I have gone on vacation to get away from it all, and now I’m in the middle of it all. How about this place? Yeah, give me a fork. I might at other times feel that my distance could be interpreted as rude detachment, but I’m working at convincing myself that I am moving into the abyss of old age and hope that those around me can accept and understand why so little of me is presently here and thus allow me to feel better about my funk.

Kirk and I were in competition for who could visit the buffet more times than the other. It was a draw, not that this meal would weigh too heavily upon us, as most of the dishes were vegetarian. Finished with our feast and being in the Pacific Northwest there is an unspoken demand that you stop every 20 minutes for coffee, else why the crazy proliferation of coffee shops? Rachel recommended a shop around the corner for the four of us to imbibe some hot black liquid energy. Wicked strong and well suited to take the pallor off an otherwise gray day.

Our mobile larder needed stocking, so shopping at something akin to Whole Foods was on order; we were delivered to New Seasons in the Seven Corners area of Portland. With plans to do some serious vegetarian cooking over an open fire, I piled the veggies into our shopping cart. Fortuitous this stop proved to be as we had bought a block of Beecher’s Flagship cheese that we fell in love with and would be surprised later in the trip upon visiting Pike’s Place in Seattle to stumble into their factory.

Our tour of Portland took us to Washington Park, which sits next to the much larger Forest Park. My spirits perk up; I am near nature. Vacation must be close at hand; the imagination is awakening. Not long after our encounter with the natural world, plans are made to return for some hiking in these parks with Kirk and Rachel. In minutes, we are delivered back to our dash animations and soon find ourselves gliding silently out of Portland on our way to the Pacific Ocean. We agreed to meet Kirk and Rachel for dinner in Astoria before our day’s journey ends in Ft. Stevens State Park, where a yurt awaits us.

A little Italian place is chosen where we have the chance to meet Rachel’s children, Cassidy and Ian. Ian made a great impression by first being listless, lethargic, and generally grumpy due to a cold or allergies until after dinner when, with great aplomb, he hurled what little dinner he had eaten upon the sidewalk. Kirk, not having a dog-pooh picker-upper bag with him, had to abandon the cheesy pile for the next dog to walk by – you just know a dog wouldn’t be able to help itself to that little midnight snack.

I felt for Rachel this evening; not only did she have to comfort her barfing boy, but earlier in the day, she voiced concern for her daughter Cassidy, who, as she described it, “is getting a little too hormonal.” It must be tough on a mother to think her kid is about to go succubus. Caroline and I failed to pick up this side of her daughter’s precocious nature as we were preoccupied with wolfing down dinner so we could make our way to the coziness of our yurt. We actually thought both children were pleasantly well-behaved. Kirk, Rachel, and the kids took off for their nearby hotel; we retired to our yurt, falling asleep to the sound of the ocean in the distance.

Note: I, too, wonder why there were no photos from this day, not even bad ones.

Updated Entertainment and Travel Schedule

Here is the updated travel and entertainment schedule for Caroline and me.

October 20 Yamato Drummers of Japan

October 22 – 23 Los Angeles to visit Giant Robot, see an old friend, go to the Nuart for the movie Naked in Ashes about the Yogis of India, and eat some Shabu Shabu in Little Tokyo

November 20 Discover India Diwali Festival at Heritage Park in Phoenix

November 20 R. Carlos Nakai / Keola Beamer perform Native Voices / R. Carlos plays Native American Cedar Flute while Keola plays Slack Key Guitar from Hawaii

November 23 – 27 Drive up the California coast to the Monterey Bay Aquarium and another tour with Sanctuary Cruises for some Whale watching.

November 25-? The Future of Food will be shown at The Loft in Tucson.

December 1 Las Noches de las Luminarias at the Desert Botanical Garden / The garden is lit for the holidays with luminarias

December 10 – 12 Disneyland in Los Angeles, California, and some shopping. It’s Caroline’s Birthday.

December 23 – 26 Santa Barbara with family

December 27 – January 1 Trip up the coast to Big Sur, Santa Cruz, San Francisco, Pt. Reyes with reservations for Alcatraz, sunset cruise in Santa Cruz, and elephant seal walking tour at Ano Nuevo State Reserve.

January 13 – 15 Staying at the El Tovar at the Grand Canyon, celebrating our 12th Anniversary

January 26 – 29 Camping on Lake Powell in Page, Arizona

February 1 Garrison Keillor from Prairie Home Companion performs a solo show in Scottsdale

February 4 – 5 Hoop Dance at the Heard Museum

February 11 Renaissance Festival begins

February 16 – 19 Considering snowshoeing at Crater Lake in Oregon

February 23 – 26 Sedona Film Festival

March 11 – 12 Death Valley National Park

March 30 Scottish Battlefield Band

April 1 Peking Acrobats

April 22 – May 1 Going to Kauai, Hawaii in celebration of my 43rd Birthday!

May 12 Festival of India II with Ravi Shankar

May 25 – 30 Road trip over the long Memorial Day weekend to parts unknown

June 30 – July 5 We are going to Canadian, Texas and staying at the Arrington Ranch (as seen in the movie Cast Away). With a parade, fireworks, rodeos, the Cattle Exchange Restaurant, and a newly renovated Palace Theatre that is the third busiest theatre in all of Texas, a stay in a small town on a working ranch for Independence Day sounds just right. Visit Alibates Flint Quarries National Monument or call 806-857-3151 for a tour.

September 1 – 5 Yellowstone National Park, we just have to come back here year after year. I have already booked our room (#225) at the Old Faithful Inn