Winter Sky

Winter sky in Arizona

Bands of undulating clouds drift imperceptibly across the morning sky. They range from brooding dark grays to ephemeral puffs of cotton balls on their way to disappearing. With the sun still low in the sky one can glean that it is still winter here in the desert. These are the patterns of weather that are clearing where the trains of clouds are moving out.

When these clouds arrived a couple of days ago ready to offer us rain they appeared on the horizons as thick blankets relatively monotonous in their diffuse dark heavy cover. If we do get so lucky that they open up, dropping their contents upon us, there is greater hope for a healthy wildflower season to follow. Winter rains in the Southwest are typically pleasant affairs compared to our blustery monsoon season during the late summer.

With the first winter rains not only do we get to revel in the sweet scent of petrichor in the cool morning air, but are also bathed in the incredible aroma of creosote. The sun pokes through some of the fracturing clouds and will peek in and out of view, often teasing a bright shining knife’s edge off the cloud it is trying to pierce.

Meanwhile all around us, the clouds continue their transition, opening up patches of blue sky where high above the lower dark clouds windswept thin white veils are hiding the majority of our view of blue space.

This all happens in the first minutes after stepping outside and instantly I’m drawn into wondering how many or few people will notice their sky on any given morning? For me at least there are two times a day that the sky holds the greatest potential to wow us: daybreak and sunset. Today I was struck at how rare this opportunity to marvel at the sky is really. On most days here in my corner of Arizona the sky is clear blue without a cloud to be found. Even on rainy days, we see blue skies, and when I lament the oppression of eternally sunny, though at times incredibly hot, days here where we live, I think people find it incredulous that anybody should kvetch about great weather.

There is something to be said about how weather changes our perspective and that bad weather, in particular, brings with it a change in mood and desires to burrow into the nest to find coziness in bundling up with a favorite hot drink. It’s not uncommon over the winter here in Phoenix to have our windows open every day, which is quite the respite after having been sealed inside for our long summer days.

Art & Islam Through Time & Place

Islamic Art on display at the Phoenix Art Museum in Arizona

This morning at 9:30 the Phoenix Art Museum was opening early for members and as we drove up there were already nearly 50 people lined up in front of the doors. We couldn’t make yesterday’s sneak peek and so this morning the museum gave members a second exclusive opportunity until noon to visit the new exhibit titled “Wondrous Worlds: Art & Islam Through Time & Place.”

The exhibit itself is inspired by the five pillars of Islam: faith, prayer, charity, fasting, and pilgrimage. Due to the breadth of Islam’s history and its reach around the planet this attempt at bringing a look at the influence of Islamic art in a relatively small space is difficult. I suppose I would have preferred a deeper look at the influence of Islamic art on a specific culture such as Turkey or Saudi Arabia instead of looking across an area from Indonesia to Burkina Faso and all points in between over a period of hundreds of years. (The pieces that are on display range in age from the late 18th century right up to modernity.)

I have to thank the managers and curators of the Phoenix Art Museum for their focus on the historic diversity of our cultures and for bringing these kinds of exhibits to Arizona. By the way, if you were ever thinking about becoming a member of your own local museum there are often perks such as these days with members early entry, including free pastries and coffee.

Dakh Daughters

Dakh Daughters Freak Cabaret at The MIM in Phoenix, Arizona

Welcome to the Freak Cabaret brought to you tonight by the Dakh Daughters at the Musical Instrument Museum. Caroline hinted at having some interest in this group from Kyiv, Ukraine, a month or so ago, but I was kind of ho-hum about them. Sure we’d seen the woman on the right with DakhaBrakha a couple of times, but the video of this group’s live performance hadn’t swayed me so I skipped picking up tickets at that time. Then a few days ago she reminded me that they were playing on Monday night, so obviously, her interest was greater than her hint. With that I took a gander at the MIM’s website for some seats and sure enough with just 24 hours before the show there were two seats in the 4th row (our favorite) that were reserved for handicap access. I took a wager that they might stay free and so I bought them with my fingers crossed.

Turns out these six women are infinitely better live and in-person than on the video. The strongest sense I got from this troupe is that we are in the age of women’s empowerment. Not that their lyrics suggested such, but just their presence spoke to owning the stage and their craft. Regarding the lyrics that were mostly sung in Ukrainian: their background video had subtitles that allowed us to read along with what they were singing. It was mildly distracting, but they were a great reference to glean an idea of what their songs were all about. Then again I can’t say I understood the meaning of what I was reading anyway. How lucky we are that we live in an age where an all-woman cabaret act from the former Soviet Union travels to the desert to entertain us.

Yup’ik and Matisse at the Heard

Caroline Wise at the Yup'ik Mask Exhibit titled “Yua: Henri Matisse and the Inner Arctic Spirit” in the Heard Museum Phoenix, Arizona

So is the third time really the charm? No, every visit has been charming. Caroline and I find ourselves yet again at the Heard Museum for “Yua: Henri Matisse and the Inner Arctic Spirit” that is on exhibit through February 3rd. Today we are here to pick up the catalog from the show, have some lunch in the Courtyard Café, listen to a talk titled “Indigenous Artistic Interpretations of Henri Matisse” and visit with the masks of the Yup’ik one more time before they move on.

Just before the talk was to begin Sean Mooney, co-curator of this special exhibit and co-author of the catalog, walked into the auditorium and we asked him to sign our book. After Sean so graciously accommodated our request us it was Chuna McIntyre’s turn: he gifted Caroline and me with a greeting in Yup’ik and a small drawing of a mask. Chuna is the other co-curator of the exhibit and co-author of the catalog. Our book is now a treasure and part of the history of the Yup’ik; we are profoundly grateful. Click here to watch a video from 2015 of the two in discussion regarding Yup’ik mask culture.

The talk got underway with the first question going to Anna Tsouhlarakis who is part Navajo, Greek, and Creek. She discussed ideas of influence and appropriation while finding balance between cultural sensitivities when creating her own art. Chuna was next and he explained how, once the object of art has done its job and is released into a new life as inspiration to others, it is up to those who take temporary possession in their imaginations to do what they will. Next up was Jacob Meders who discussed how culture from the past and present combine with choices in materials that build bridges across time and culture to link peoples. Jacob is a resident of the Phoenix area teaching at ASU but is originally from California and the Mechoopda people of the Maidu tribe. The three panelists talked with us for an hour before taking our questions.

I have to thank everyone who participated in this great exhibit and special gratitude to David Roche, the Heard Museum CEO who hosted this right here in Phoenix, Arizona: the only place on earth to witness this historic collection of Yup’ik masks and the works of Henri Matisse who was deeply influenced by them. Click here to watch another video about the exhibit.

Heli Jafar

Yesterday didn’t work out, but today did. Jeffrey has been trying to get me to go flying with him in his jet helicopter for nearly 6 months. Back in the summer, I wouldn’t go because he was getting out to the hangar in Mesa by 7:00 a.m. due to the heat of the day and the fact that his copter doesn’t have air-conditioning. As it cooled down our schedules simply weren’t coinciding to allow me to go up with him. Truth be known I also needed Jeffrey to get over 200 hours in the pilot’s seat so I could rest assured that he knew what he was doing.

Fountain Hills, Arizona

Of course, I should have trusted him more than that, as he has been after this goal since October 2015 when he started flying lessons. So he and I met up and drove out to Mesa this morning and by 9:30 we were in the air flying out over Fountain Hills towards Carefree. His takeoff was perfect though I think he took measured steps when we began hovering while he gauged how much weight I added to his bird. Towards our east side, things were hazy and getting cloudy and by the time we reached our turn around point, we were only about 200 feet below the clouds which put us flying somewhere near 1,000 feet over the desert.

To the west, the sky was relatively clear and after passing over a V-shaped wedge in the McDowell Mountains just left of Tom’s Thumb we were soon over Fountain Hills again. From there we turned west to buzz a corner of Scottsdale and then pointed the helicopter southeast for the quick trek back to Mesa.

Was I nervous at all? Of course, I was. But it turns out that Jeffrey is an excellent pilot attentive to every detail with great focus on everything around him. From take-off to landing he moved assuredly through every maneuver. Prior to take-off, he went through a comprehensive check of all systems while visually inspecting all key areas that are essential to the proper function of this craft that is a million times cooler than any Ferrari.

Will I go up with him again? Absolutely and most likely that will be as early as next week. I shot some video today that I hope to edit into a short clip this weekend, though as I write that I’m thinking that I should consider something more in-depth that talks to him about his motivation and ambition that got him here. To that end, I gifted him a blog website on his birthday last year where he could write about his adventure. While he’s not very vigilant in that effort, it can be found at HeliJafar.

Jessica Was Here

Jessica Aldridge in Phoenix. Arizona

My daughter Jessica came to town last week to hang out in Phoenix. During these visits, she often picks up a number of books from us from the titles we thought she might appreciate. In the first few days she read and finished “Arbitrary Stupid Goal” by Tamara Shopsin which Caroline and I have not read yet; it’s in our stack of needing to read next to our front door. That stack represents the books destined to be read in the car while Caroline is a passenger acting as our audiobook reader. Currently, she and I are making our way through a 600-page tome titled “A Distant Mirror: The Calamitous 14th Century” by Barbara W. Tuchman that we picked up at Beach Books in Seaside, Oregon, back in November. After Jessica plowed through her first book she picked up “Don’t Sleep There Are Snakes” by Daniel Everett.

Last summer Caroline had seen that an exhibition about Teotihuacan was opening at the Phoenix Art Museum in October and that they were running a special to become a member of the Museum. While I called and ordered the membership back then, it took us until this past Friday and having my daughter in town for us to finally take advantage of our status. On Friday after the Museum closed we attended a behind-the-scenes tour of the exhibit for 35 guests, all either new or freshly renewed members. It was an interesting look at the logistics of the years of preparation, coordination, and teamwork that goes on to host such an event. The three of us were wowed, to say the least. Matter of fact we’d planned a return visit for the next day at 1:00 p.m. for a docent-led tour on a number of pieces in the exhibit.

Teotihuacan exhibit at the Phoenix Art Museum in Arizona

That next day, January 12th, was a special day for Caroline and me because it was our 25th wedding anniversary. Not ones for celebration beyond our casual everyday amazement flowing through our lives we went into the day without much fanfare. Leaving the museum after our tour the night before we stopped at the door to speak with a young man named Mark who was quite knowledgeable about all things pre-Columbian Mexico and after piquing our interests even further about the Teotihuacan period he made a restaurant recommendation that proved too busy for us last night, but this afternoon it was quiet enough to warrant a stop. Joyride Taco House is a hipster joint that was almost too hipsterish for us boring people whose moments preening in the sun have come and gone. Food was great, but the pretentiousness and Tinder photo shoots were a bit over the top.

Mask from the exhibit titled, "Yua: Henri Matisse and the Inner Arctic Spirit" at the Heard Museum in Phoenix, Arizona

Sunday drew us into the Heard Museum where an exhibit titled, “Yua: Henri Matisse and the Inner Arctic Spirit” was on display. The backstory is about how the masks of the Yup’ik people of western Alaska influenced the later work of Henri Matisse. At that time Inuit dance masks were becoming collector items all over the world so that this exhibition saw many masks that originally were meant to be part of an ensemble, but had been dispersed all over the globe, become reunited with their kin for the first time in many years. By sheer coincidence, we found a book titled “Kabloona” (an Inuit term for white people) on display here which also currently resides in our aforementioned “books to be read” pile on our kitchen counter. Caroline had ordered it just the other week because she had run into it in audiobook form and liked it so much she thought I might enjoy it as well. It turns out that Matisse found it of influence to his own Eskimo studies.

On Monday, as on the previous days since her arrival, Jessica and I spent a good part of the day in yet another coffee shop chatting and occasionally she’d get a small amount of reading done. Mostly though we talked. How is it we had so much to talk about? Like most people do at least a few times during the course of their lives she’s in one of those phases where she is pondering the direction her life needs to take. To say my daughter has been difficult, belligerent even, prior to the past six months would not be an understatement. Many things we’ve talked about have been spoken of before but more often than not she recoiled on those prior occasions interpreting them mostly as attacks. I’m certain that this is nothing new to most parents, but I don’t have a lot of experience in doing the fathering thing.

Tomorrow Jessica will head back to San Diego and my thought of driving out with her for a week is being scuttled, as I hope she’ll think heavily on her situation and most everything we could discuss has been said.